Thursday, 9 May 2013

In the saddle, back on the game









Since my last entry, I’ve  secured another temp gig and therefore some fiscal liquidity, plugging the gaps between retainers and other, less consistent editorial payments. Managing sheltered housing schemes is familiar territory for me and not unpleasant work, although nowadays I associate it with the classic, slightly kitsch but brilliant piece of social commentary that is “Pearls Café’”.

For the uninitiated, it’s an old Specials’ track dating back to 1980, seemingly about a deranged old lady in a café, lamenting her life. However, the final verse the narrator suddenly has an epiphany; that his present girlfriend is cold, shallow and unfeeling  “ When I first met you, I really thought you were a wet dream come true. Now I know that you don’t care about somebody else’s nightmare”.

Having lured Joshua back to his BMX courtesy of this spatter deflecting SKS X blade clip on mudguard, there’s been a resurrection of competitive ambition on his part, expressing a desire to try racing first hand and wanting to accompany me on evening meanders. Given woefully inadequate standards of driver etiquette/skill seem supplanted by ever greater aggression, I’m of the opinion that cross country mountain biking is the most obvious and accessible outlet, with a view to cyclo cross when he’s twelve or thirteen and suitably prepared for long, steady road outings.

The nice folk at Zyro (www.zyro.co.uk)  dropped Minoura’s VC100 bracket over for me to play with. Beautifully made from CNC machined, silver anodised aluminium, it essentially converts the bike to a mobile tripod and camera spec allowing; ensures capture of impressive video footage-whether carving through deserted back roads or hustling through congested city centres. This is largely attributable to a combination of rigidity and broad, shock absorbing rubberised cork platform.

Obviously, it cannot compete with the 180degre peripheral capture of a helmet cam and 350g magnesium bodied super zoom compacts are pretty much its limit. Some of you will baulk at fifteen quid but while the backyard specials brewed using an old reflector bracket and similar oddments from the spares box are phenomenally satisfying to make, should it fail at tour typical speeds, cameras run the risk of becoming bin fodder.

Spring may well be in full bloom but manufacturers are keen to showcase their new season’s lighting and I require little persuasion to try them Silva, a marque more commonly associated with compasses, torches and similar generic outdoor apparel have been expanding their bike range.

In stark contrast to their road specific see with Pave’ comes this quirky looking “Commute”, which given cursory inspection looks indistinguishable from a sea of similarly competent contingency units, perfect for extended summer playtimes on the best bike or as dynamo companion/backup.

On paper 45 lumens lags behind the latest generation of bobby dodgers but the collimator lens delivers a very pure beam, devoid of halos with reassuring peripheral prowess. Tool-free silicone wrap over mounts are a welcome revolution, offering secure purchase, yet slipping off in seconds when locking in the street. This one is unremarkable other than to say it sweeps anaconda fashion around the full panacea of handlebar diameters without indigestion.   

Reassuringly stout composites bode well for longevity, shrugging at the inevitable everyday carelessness and Silva boast that it’s unaffected by temperatures as low as minus 20. A rubberised, centre mounted switch is easily operated in gloved hands and on the fly, although not the sort prone to accidentally engage when hibernating in jersey pockets/panniers. USB rechargeable li-on cells have almost become default but while in many respects a blessing, AAA are readily available pretty much anywhere and offer tour practical run times-I’ve managed eighteen odd (max) and an Uber frugal ninety eight in flashing using premium grades. All the more impressive since it gives change from £20. www.silva.se.

Another unexpected pleasure is this beautifully crafted saddlebag complete with Camera insert made by Emily O’ Brien. Hailing from Medford Massachusetts, she’s a mile munching, limerick loving music teacher and lifelong fettler who manufactures a handmade range of luggage/accessories capable of passing her own rigorous testing regime. Initial impressions are extremely favourable and its one of the most exciting bits of luggage I’ve had the privilege of testing to date. http://www.dillpicklegear.com/