Resilience

Long, spirited (not to mention, hot) miles aboard the teenage dream, have enabled me to reach substantive conclusions, about various bits of equipment. Most notably, the Passport Crochet backed cycling mitts https://www.sevendaycyclist.com/pasport-crochet-back-cycling-mitts  and the Joes No flats Eco-Nano dry lube https://www.sevendaycyclist.com/joe-s-no-flats  

We also received these 35mm section Vee Tire City Cruz https://www.veetireco.com/listings/city-trekking-city-cruz/ and some unexpected (but very welcome) goodies from Green Oil www.Greenoil.net.  It seems they have revamped their Green Clean, removing most of the water content, thus weighs considerably less in transit. Theoretically reducing the energy required to transport it.

Elsewhere, we have their Bamboo detail brush.

The handle is made from sustainably sourced bamboo. The bristles are created from bio-plastic, which is derived from the castor plant

This is basically designed for scrubbing cassettes, chains and other, hard to reach drivetrain components-after they’ve been given a blast of degreaser.

Cursory inspection suggests the City Cruze are intended to compete with Schwalbe’s legendary Marathon family. Yes, there are some obvious cosmetic nods, in their direction. However, I’m advised the City Cruze are urban/trekking, rather than touring rubber.

I’ve whipped one up front. on my ‘cross/gravel inspired fixed. The Schwalbe Marathon GT https://www.sevendaycyclist.com/schwalbe-marathon-gt-tyres  follows behind, as a comparator. Contemplation and reflection are other themes of my rides “Headspace” some might say.

Winding up the tempo along open roads and times, where other traffic is little to moderate, is extremely liberating. Only managed 35 on this 1in 7 descent, assisted by a passing double decker bus. https://www.facebook.com/Sevendaycyclistmagazine/videos/1990325537665034/  (My record is 42mph on a solo, 55 on a tandem). Came close on the Holdsworth but, several attempts suggest I require a lower position, than the present, BBB pursuit pattern bars permit.

The Teenage dream’s Salsa Bell lap were one option, and work very well, in that context but I’m thinking, in this instance, a shallower drop, such as Soma Bar1, would be better.

Behind the Camera…

Models; like any other cross section of the population, delight and disappoint in equal measure. I’ve been approached by models recently, asking me to pay them, for nude shoots. Though thankfully rare, I get approaches from some hobbyist models, which boil down to “How’s you? I want to be paid £20ph, for exposing myself to you, with no creative merit whatsoever”.

Personally, I’m insulted by these approaches, which assume the slightest hint of exposed flesh, will leave me spellbound! There is clearly, a market for this “Flash for cash” formula. 

After all, the “Reader’s Wives” (badly shot, homemade, softcore porn) was a phenomenally popular genre and still, refuses to die. 

Similarly, while I acknowledge we all have to start somewhere, no amount of grainy, pouting selfies tells me how good (or otherwise) a model, you are.

 Now, I have no issue with paying people, for their skills and services.

I will pay models, where appropriate, as part of a wider, commercial commission. Just as a builder/ property developer should pay a bricklayer/electrician/plasterer for their work. 

However, some of these approaches, try to stipulate what I may/not do with the images afterward.

The reality is this. If I (or another photographer) have paid for your services, I/they may do pretty much what I/they choose afterward. Professional models know this, so terms are explicit and agreed, long before we enter a studio.

I’m not in the business of using images that would cause distress, or leave models feeling uncomfortable. However, it is something to consider, if you are entering modelling, and considering nude/topless/erotic/adult work.

Unless a commercial client approaches me with this kind of commission, I respond, with my list of charges. It’s a polite way of declining and swerving, a whole heap, of potential trouble, further along the line.

Good pre-shoot communications reveal a model’s motivations, wat they are looking to achieve and, in what sort of timescales. It’s also a great way, of filtering out unreliable, unprofessional and in some instances, dangerous, people.

There are plenty of “photographers” and plenty of “models” to choose from. Hours are like diamonds, don’t let them waste. Know your worth and choose accordingly. That goes for life, generally.

This week’s, delightful model, is Carla Stillwell https://purpleport.com/portfolio/vixenmummy