Warm Studio, Wintry Roads

Another week, another great studio shoot with an experienced and extremely professional model.  Thankfully, I am yet to work with someone, who is anything other than consummately professional and conscientious.
 

Mind you, I scrutinise people’s pre-shoot communication very carefully. I’ve graciously declined anyone, who presents as unprofessional, or makes me feel uncomfortable. This goes for studios and photographers too. I have a very open mind, when it comes to projects but am very discerning, about those I put my name to. 

Thursday’s studio was an old converted mill, with large windows- copious amounts of natural light. Perfect, given Karen is 6ft2 and I wanted a softer feel to our images.

Back in the saddle and the wintry conditions are ideal testing ground, specifically chain/lubes/protectants, lighting and of course, tyres.

The Soma Shikoro continue to deliver leach-like contact, even across increasingly icy roads, although if things turn harsher still, I am likely to switch exclusively to the Univega.  

I’ve been toying with the idea of switching back, from the fixed’s HT Leopard 878 https://www.sevendaycyclist.com/ht-leopard-878-clipless-pedals  to SPDs, if only so I can use my Lake booties.

Some riders like overshoes and there’s a lot to be said in their favour, particularly if you’re riding in race slippers with acres of mesh ventilation. However, I find them a faff, whereas winter booties are plug n’ play simple.

Exposed to a diet of waterlogged, gritty lanes, the Smoove universal chain lube is proving surprisingly resilient. Not on par with traditional wet formulas, such as Nasty lube Siberian https://www.sevendaycyclist.com/nasty-lube-siberian-chain-lube  or Weldtite TF2 extreme wet https://www.sevendaycyclist.com/weldtite-tf2-extreme-wet-chain-lubr . Nonetheless, even with the minimum 1hour curing period, the Smoove racked up 118 mixed terrain miles from a single application.

Putting this into context, other emulsion types have managed 60-80 in similar conditions. That’s allowing them a full 8 hours curing, at room temperature. Smoove doesn’t flake, at least not in the same manner as more traditional emulsions/waxes. However, there are traces of spent goo, around the rings and outer links.
 

Cleanliness and low friction are their main draws for me. On the flip side, these lack the “jack of all trades” versatility of more traditional formulas. Aside from some ultra-sophisticated blends, wet lubes also serve as very effective grease substitutes. Think fasteners, not bottom bracket shells, derailleur hangers and other threaded sections.

Talking of which, leaving bikes filthy tends to go against my little n’ often cleaning philosophy but essential when evaluating the staying prowess of waxes and other protectant formulas.

Despite being water-based, the Crankalicious Enduro frame sealant is also doing an excellent job of preventing more tenacious muck from adhering to my fixed gear winter/trainer’s tubes.

It’s a protectant product, designed to provide a lasting, lacquer-like barrier. It differs from polymer type waxes in that it won’t beautify glossy finishes, or mask minor swirls. However, there are no solvents to break down, or otherwise impair these products when the enduro is applied atop.

The sharp eyed among you will have noted my working fixed has shed its dynamo lamp. Partly because another publication sent me an 800lumen rechargeable unit to test but also because of a sudden and inexplicable front light failure. I am hoping this is something simple, such as wounded wiring, rather than the switch, or more complex problem. Strange though...

With the exception of an old halogen setup run on an old Gitane tandem 25 years back, my systems, hub or tyre driven have never missed a beat. My working fixed serves year-round, hell n’ high water, I never use anything more invasive than a jumbo car sponge and bucket of warm, sudsy water to purge the grot, So I’d be very surprised if anything has breached the seals/seeped inside. Watch this space….

Studio & Beyond

I’ve been back in the studio doing fine art nude photoshoots with some fantastic models. Further collaborations are being arranged for January. My Minolta film SLR and this partially stripped Ural motorcycle is all I can publish right now.

 

 

 

I take consent and professionalism deadly seriously and will not release anything, unless the model(s) involved are willing for me to do so. Thanks to Brian, who runs the cottage studio http://www.thecottagestudio.co.uk/  for the use of space and lighting equipment. 

 

Proved an ideal opportunity to see what my A6000 would do in a studio setting. Behaved impeccably from start to finish. Traditionally, I’ve run SLRs in the studio and kept CSC systems for street and location shots but the (minor) gamble paid off. Just as well, given my Alpha SLR got the sulks and refused to play nicely with the remote trigger.

I’ve appreciated the cold, harsher weathers, which is ideal for testing lubes, cables, tyres and of course, clothing. Nasty Lube http://nastylube.com/about/  over in Canada, have sent Seven Day Cyclist www.Sevendaycyclist.com their winter lube.

Simple to apply-sparingly, mind. Too much and you’ll get the spatter effect along your chainstay and rear wheel. That aside, there’s no hanging about waiting for it to cure. Simply, drizzle a little into the links of a freshly cleaned chain, wipe away any excess and scoot-off.

Great for commuting and winter generally, since a wintry spell can strip lubricant bare in a matter of rides. So far, it seems cleaner, dare I say less syrupy than some justly popular favourites. Minus figures in the UK are often over exaggerated but it’s dipped to minus 2 and felt decidedly raw, when wind chill’s introduced. 

We’re looking to get some narrow section spiked tyres in but for the time being, the Schwalbe Marathon GT https://www.sevendaycyclist.com/schwalbe-marathon-gt-tyres   and the Univega’s GT365 https://www.sevendaycyclist.com/schwalbe-marathon-gt365-tyre  are hugging slimy roads reassuringly well.       

Spiked, sometimes referred to as “snow” tyres all work to the same basic science. The tread ploughs the white, powdery stuff away, leaving the tungsten carbide spikes to bite into the ice beneath, providing traction.

Progressive acceleration and braking remains imperative but a steady tempo means 17mph is a realistic, dare I say, respectable average speed. Cables are another relatively inexpensive upgrade.

Obviously, testing tends to influence replacement frequency but I’d be inclined to replace standard brake and gear cables twice yearly, seasonally if you’re racing. Rather like stiff greases, sealed systems are a good investment for bikes in hard service.

These typically comprise of a factory lubricated, premium grade stainless steel inner wire, a Teflon coated liner and a heavy duty Kevlar outer. The latter can chomp through paintwork with alarming haste, especially if a layer of grit is allowed to form between them.

Most kits these days use rubberised cuffs to prevent abrasion but carefully cut sections of “helicopter” tape pretty much eliminates this problem. Layered electrical tape will also do, although check more frequently to ensure the outers aren’t making inroads.

While not a sealed system in this sense, I’ve been very impressed with these Jagwire pro road https://www.sevendaycyclist.com/jagwire-pro-road-brake-kit. Simple to fit, compressionless housings, EZ (easy) tunnelling and high quality, PTFE impregnated stainless steel inners deliver impressive modulation, feel and ultimately, stopping prowess!  Right, time I was heading north for another adventure.